For complete project materials and assignments call us with 07068634102

Project Topics And Materials On Literature

PROJECT TOPICS AND MATERIALS ON LITERATURE

  1. FEMINISM IN MARIAMA BA’S SO LONG A LETTER AND NAWAL EL SAADAWI’S WOMAN AT POINT ZERO
  2. FEMINISM IN BUCHI EMECHETA’S SECOND CLASS CITIZEN AND FLORA NWAPA’S EFURU

  3. THEMES AND IMAGERY IN SELECTED ROMANTIC POEMS,
  4. TRADITIONAL AESTHETICS TRANSFER AND THE AFRICAN NOVELISTS: A STUDY OF ACHEBE’S THINGS FALL APART AND LAYE’S THE AFRICAN CHILD,
  5. UTOPIANISM AND CHARATERISATION IN AMINATA SOWFALL’S THE BEGGAR’S STRIKE AND SEMBENE OUSMANE’S XALA,
  6. REVIEW OF YEJIDEA‘S DEBUT NOVEL, “DAUGHTERS WHO WALK THIS PATH”.
  7. COSTUME AND MAKE-UP AS VARIABLETTOOLS FOR CULTURAL PROMOTION AND TOURISM: A STUDY OF NIGERIAN HOME VIDEOS
  8. THE ROLE OF AFRICA INDEPENDENT TELEVISION IN PROMOTING POPULAR CULTURE AMONG YOUTHS IN KADUNA METROPOLIS
  9. A FEMINIST READING OF MOBOLAJI ADENUBI’S EMPTY ARMS AND HILARY ROUSE-AMADI’S AMIN
  10. A METAPHYSICAL ANALYSIS OF AMOS TUTUOLA’S THE PALMWINE DRINKARD AND D.O. FAGUNWA’S THE FOREST OF GOD
  11. A STYLISTIC ANALYSIS OF AKACHI ADIMORA-EZEIGBO’S TRAFFICKED
  12. A STYLISTIC ANALYSIS OF SELECTED NIYI OSUNDARE’S SOCIO-POLITICAL POETRY
  13. STYLISTIC ANALYSIS OF SOME SELECTED POEMS OF WOLE SOYINKA
  14. A STYLISTIC ANALYSIS OF SPORTS COLUMNS IN SOME SELECTED NIGERIAN NEWSPAPERS
  15. AESTHETIC OF AFRICANISM IN CAMARA LAYE’S THE AFRICAN CHILD AND THE RADIANCE OF THE KING
  16. AFRICANISM: THEME, AND TECHNIQUE IN AMOS TUTUOLA’S THE PALMWINE DRINKARD
  17. CHARACTERIZATION AND SYMBOLISM IN OLU OBAFEMI’S WHEELS AND NGUGI WA THIONGO’S A GRAIN OF WHEAT
  18. CLASS STRATIFICATION, POVERTY AND SOCIAL INJUSTICE: A CRITICAL ANALYSIS OF FESTUS IYAYI’S VIOLENCE AND OLU OBAFEMI WHEELS.
  19. CLASS STRUGGLE A CASE STUDY OF FESTUS IYAYI’S VIOLENCE AND ANIMATA SOW FALL’S THE BEGGARS’ STRIKE

  20. CODE MIXING AS A SOCIOLINGUISTIC MEDIUM IN SOME SELECTED SONGS IN THE NIGERIAN MUSIC INDUSTRY
  21. COMPARATIVE ANALYSIS OF EMECHETA’S SECONDCLASS CITIZEN AND NWAPA’S EFURU
  22. CONFLICT BETWEEN TRADITIONAL AND WESTERN CULTURE: A CASE STUDY OF SOYINKA’S DEATH AND THE KING’S HORSEMAN AND THE LION AND THE JEWELCRITICAL
  23. DISOURSE ANALYSIS OF OLA ROTIMI’S OUR HUSBAND HAS GONE MAD AGAIN
  24. CULTURE AND DISCRIMINATION AGAINST WOMEN IN BUCHI EMECHETA’S THE JOYS OF MOTHERHOOD AND CHIMAMANDA ADICHIE’S PURPLE HIBISCUS
  25. EMERGENT TRADITION AND THE AFRICAN POETRY, A CASE STUDY OF TANURE OJAIDE’S THE “FATE OF VULTURES” AND “ENDLESS SONG”
  26. FACTS AND FICTION IN AKACHI ADIMORA – EZEIGBO’S CHLDREN OF THE EAGLE AND THE LAST OF THE STRONG ONES
  27. FEMINIST AESTHETICS IN OLA ROTIMI’S OUR HUSBAND HAS GONE MAD AGAIN AND FEMI OSOFISAN’S MOROUNTODUN

  28. FOLKLORE AND THE QUEST FOR RE-INVENTION A STUDY OF WOLE SOYINKA’S DEATH AND THE KING’S HORSEMAN AND HOPE EGHAGHA’S DEATH NOT A REDEEMER
  29. GENDER ISSUES IN AKACHI ADIMORA EZEIGBO’S TRAFFICKED AND ZAYNAB ALKALI’S THE VIRTUOUS WOMAN
  30. IMAGES OF SOCIAL VICES IN CONTEMPORARY NIGERIAN POETRY: A STUDY OF DENJA ABDULLAHI’S MAIROGO AND JIDE BALOGUN’S THE DESERT IN THE RIVER
  31. MAGIC POETRY: A STUDY OF ARUGBA INVOCATION IN OSUN OSOGBO FESTIVAL
  32. MOTHER TONGUE INTERFERENCE IN ENGLISH NEWS CAST: A CASE OF A KWARA TELEVISION NEWS
  33. ORATURE IN MODERN AFRICAN LITERATURE USING: WOLE SOYINKA’S THE BEATIFICATION OF AREA BOY
  34. PRAGMATIC FEATURES OF NIGERIAN ENGLISH: A CASE STUDY OF SELECTED POEMS OF BAYO ADEBOWALE
  35. RACISM AND AESTHETICS IN ALEX LA GUMA’S A WALK IN THE NIGHT AND PETER ABRAHAMS’ MINE BOY
  36. RELIGION AND MORALITY IN JOHN UPDIKE’S ‘A&P’ AND SALMAN RUSHDIE’S ‘THE PROPHET’S HAIR’.
  37. SATIRE AND SOCIAL MEDIATION IN WOLE SOYINKA’S: A CASE STUDY OF THE TRIALS OF BROTHER JERO AND A PLAY OF GIANTS

  38. SATIRE IN CONTEMPORARY NIGERIAN POETRY: A STUDY OF TAYO OLAFIOYE’S A CARNIVAL OF LOOTERS AND MUSA I. OKPANACHI’S THE EATERS OF THE LIVING
  39. SOCIAL RELEVANCE OF NIYI OSUNDARE’S THE EYE OF THE EARTH
  40. SOCIO-POLITICAL MOTIFS IN NIYI OSUNDARE’S THE EYE OF THE EARTH AND VILLAGE VOICES
  41. SYNTACTIC AND LEXICO-SEMANTIC ANALYSES OF SELECTED SMS TEXT MESSAGES AMONG THE UNIVERSITY OF ILORIN STUDENTS
  42. THE MYTHOLOGICAL ICONS IN AMOS TUTUOLA THE PALM-WINE DRINKARD
  43. THE IMPACT OF YORUBA LANGUAGE ON THE SPOKEN ENGLISH OF STUDENTS (INDIGENES) OF ILORIN (TOWNSHIP)
  44. PRAGMATIC FEATURES OF NIGERIAN ENGLISH: A CASE STUDY OF SELECTED POEMS OF BAYO ADEBOWALE
  45. RACISM AND AESTHETICS IN ALEX LA GUMA’S A WALK IN THE NIGHT AND PETER ABRAHAMS’ MINE BOY
  46. RELIGION AND MORALITY IN JOHN UPDIKE’S ‘A&P’ AND SALMAN RUSHDIE’S ‘THE PROPHET’S HAIR’.
  47. SATIRE AND SOCIAL MEDIATION IN WOLE SOYINKA’S: A CASE STUDY OF THE TRIALS OF BROTHER JERO AND A PLAY OF GIANTS

  48. SATIRE IN CONTEMPORARY NIGERIAN POETRY: A STUDY OF TAYO OLAFIOYE’S A CARNIVAL OF LOOTERS AND MUSA I. OKPANACHI’S THE EATERS OF THE LIVING
  49. SOCIAL RELEVANCE OF NIYI OSUNDARE’S THE EYE OF THE EARTH
  50. SOCIO-POLITICAL MOTIFS IN NIYI OSUNDARE’S THE EYE OF THE EARTH AND VILLAGE VOICES
  51. SYNTACTIC AND LEXICO-SEMANTIC ANALYSES OF SELECTED SMS TEXT MESSAGES AMONG THE UNIVERSITY OF ILORIN STUDENTS
  52. THE MYTHOLOGICAL ICONS IN AMOS TUTUOLA THE PALM-WINE DRINKARD
  53. THE USE OF SATIRE FOR CHANGE IN WOLE SOYINKA’S THE LION AND THE JEWEL AND OLA ROTIMI’S OUR HUSBAND HAS GONE MAD AGAIN
  54. SATIRE AND SOCIAL MEDIATION IN WOLE SOYINKA’S THE TRIALS OF BROTHER JERO AND THE ROAD
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For complete project materials and assignments call us with 07068634102

For complete project materials and assignments call us with 07068634102

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